About Me

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I am a medievalist, a social studies teacher at Knox Central High School, and an adjunct instructor in history at Union Commonwealth University. My research includes medieval theologies of history, text/image relationships in visionary and mystical texts, and the writings of the twelfth-century Doctor of the Church, St. Hildegard of Bingen. I am also a translator of medieval Latin and German texts, especially as relate to my research. My translation of Hildegard's Book of Divine Works is available from Catholic University of America Press here. I completed a Master's in Medieval Studies at the University of Notre Dame in 2010, a Fulbright Fellowship in Germany in 2008, and a B.A. in Classics and German at Boston College in 2007.
Showing posts with label Virgin Mary. Show all posts
Showing posts with label Virgin Mary. Show all posts

Sunday, September 17, 2023

O virgo visionibus fulgens: A Chronogram for the Feast of St. Hildegard of Bingen

Humility; detail from the
Pillar of the Savior's Humanity,
Scivias 3.8
(Rupertsberg MS, fol. 178r)
o VIrgo VIsIonIbVs fVLgens,
qVIbVs VIrgo DeI genetrIX
et eCCLesIa sponsa eIVs
VIae sanCtItatIs reVeLantVr:
ora pro nobIs In ItInere nostra,
Vt VIrtVtes CaeLestes
qVasI tVrres CorVsCantes
In nobIs aeDIfICentVr.

O virgin, gleaming with visions,
in which the Virgin Mother of God
and the Church, His spouse,
are revealed as pathways of holiness:
pray for us on our journey,
that the heavenly virtues
like sparkling towers
might be built up within us.

Wednesday, March 29, 2023

New Article: “O Jewel Resplendent”: The Virgin Mary and Her Analogues in Hildegard of Bingen’s Scivias

Now published in Religions 14:3 (2023), 342 (21pp), as part of a Special Issue on “The Virgin Mary in the Middle Ages and the Renaissance: Devotion and Iconography.” DOI: https://doi.org/10.3390/rel14030342.

Abstract

Despite the lush visual imagery of the twenty-six visions that form the foundation of Hildegard of Bingen’s first work, Scivias, the physical person of the Virgin Mary appears only once, as the Queen of the heavenly symphony in the book’s final vision. The images that coalesce in the musical compositions dedicated to the Virgin in that final symphony, however, resonate throughout the rest of the work, revealing Mary’s constant background presence. Moreover, analogues of traditional Marian imagery in both the text and the illustrations Hildegard designed for the work allow us to see how the Virgin exemplifies the life of the virtues from which Hildegard constructs the City of God. Finally, connections between Scivias and Hildegard’s third work, Liber diuinorum operum, demonstrate that the Virgin Mary models the path of virginity that Hildegard holds up as the singular road to holy perfection for herself and the nuns under her care.

Monday, September 08, 2014

Quia ergo femina (Symphonia 12)

For the Feast of the Nativity of the Blessed Virgin Mary,
An Antiphon by St. Hildegard of Bingen[1]


Scivias III.3:
Amor Caelestis.
Rupertsberg MS, fol. 139r.
Quia ergo femina mortem instruxit,   
clara virgo illam interemit,
et ideo est summa
     benedictio
in feminea forma
pre omni creatura,
quia Deus factus est homo
in dulcissima et beata virgine.
For since a woman drew up death,
a virgin gleaming dashed it down,
and therefore is the highest
     blessing found
in woman’s form
before all other creatures.
For God was made a human
in the sweet and blessed Virgin.

Friday, August 22, 2014

Cum processit factura (Symphonia 13)

For the Octave of the Feast of the Assumption of the Blessed Virgin Mary,
An Antiphon by St. Hildegard of Bingen [1]


Scivias I.2: The Fall.
Rupertsberg MS,
fol. 4r.
Cum processit factura
digiti Dei,
formata
ad imaginem Dei
in ortu mixti sanguinis
per peregrinationem
casus Ade,
elementa susceperunt gaudia in te, 
o laudabilis Maria,
celo rutilante
et in laudibus sonante.
Although the craft
of God’s extended finger,
created in
God’s image,
came forth in birth of blood commingled,
in pilgrimage exiled
by Adam’s fall;
the elements received their joys in you,
O Mary, worthy of our praise,
as heaven gleams with rubied light
and echoes gladsome shouts of praise.

Friday, August 15, 2014

O quam magnum miraculum (Symphonia 16)

For the Solemnity of the Assumption of the Blessed Virgin Mary,
An Antiphon by St. Hildegard of Bingen[1]


Virgin Mary, Queen of Heavens'
Symphony, Scivias III.13
Rupertsberg MS, fol. 229r
O quam magnum miraculum est  
quod in subditam femineam
formam rex
introivit.
Hoc Deus fecit quia humilitas
super omnia ascendit.
Et o quam magna felicitas
est in ista forma,
quia malicia,
que de femina fluxit hanc
femina postea
     detersit
et omnem suavissimum
odorem virtutum edificavit
ac celum ornavit
plus quam terram prius
turbavit.
How great the wonder is!
Into the female form subdued
the King
has come.
This God has done, for meekness
mounts o’er all.
And O how great the happiness
is in that form,
for malice,
which from a woman flowed—
a woman then this malice wiped
     away,
and ev’ry sweet
perfume of virtues she has raised—
the heavens graced
far more than e’er the earth
in chaos cast.

Sunday, April 27, 2014

Alleluia! O virga mediatrix (Symphonia 18)

For the Octave of Easter, an Alleluia-verse for the Virgin
by St. Hildegard of Bingen[1]


Initial F: Tree of Jesse
Stammheim / Hildesheim
Missal (ca. 1160-70), fol. 146r.
J. Paul Getty Museum
Alleluia!
O virga mediatrix,
sancta viscera tua
mortem superaverunt
et venter tuus omnes creaturas    
illuminavit in pulcro flore
de suavissima integritate
clausi pudoris tui orto.
Alleluia!
O branch and mediatrix,
your sacred flesh
has conquered death,
your womb the world illumined,
all creatures in the bloom of beauty
sprung from that exquisite purity
of your enclosèd modesty.

Sunday, April 20, 2014

Nunc gaudeant materna (Symphonia 67)

For Easter, the Resurrection of the Lord, an Antiphon for the Church
by St. Hildegard of Bingen[1]


Scivias II.3:
Mother Church & Baptism.
Rupertsberg MS, fol. 51r.
Nunc gaudeant materna viscera
     Ecclesie,
quia in superna simphonia
     filii eius
in sinum suum collocati sunt.
Unde, o turpissime serpens,
     confusus es,
quoniam quos tua estimatio
     in visceribus
     suis habuit
nunc fulgent in sanguine
     Filii Dei,
et ideo laus tibi sit, Rex altissime.  
     Alleluia.
Now let the womb and heart
     of Mother Church rejoice!
For in the starry symphony
     her children
are gathered to her bosom.
O vile snake, you are
     confounded,
for those your hollow jealousy
     had thought
     it clutched within its guts
now sparkle in the blood
     of God’s own Son—
praise be to you, the highest King!
     Alleluia!

Tuesday, March 25, 2014

O tu illustrata (Symphonia 23)

For the Feast of the Annunciation, an Antiphon for the Virgin
by St. Hildegard of Bingen[1]


Chastity, from
Scivias III.8: The Pillar
of the Savior's Humanity.
Rupertsberg MS, fol. 178r.
O tu illustrata
de divina claritate,
clara Virgo Maria,
Verbo Dei infusa,
unde venter tuus floruit
de introitu Spiritus Dei,
qui in te sufflavit
et in te exsuxit
quod Eva abstulit
in abscisione puritatis,
per contractam contagionem       
de suggestione diaboli.
Illumined by
God’s clearest brightness,
O Virgin Mary bright,
and flooded with the Word of God:
your womb then flourished at
the entrance of God’s Spirit—
he breathed within you,
within drew out
the loss of Eve,
a purity cut off and silenced
by that disease contracted
at the Devil’s sly persuasion.

Friday, March 07, 2014

Vos flores rosarum (Symphonia 38)

For the Feast of Sts. Perpetua and Felicity, a Responsory for Martyrs
by St. Hildegard of Bingen[1]


Agony in the Garden.
Drawing from the Abbey of
St. Walburg, Eichstätt, ca. 1500.
(From J. Hamburger,
Nuns as Artists, plate 8)
V. Vos flores rosarum,
qui in effusione sanguinis vestri  
beati estis in maximis gaudiis,
redolentibus et sudantibus
in emptione
que fluxit de interiori mente
consilii manentis ante evum

R. in illo,
in quo non erat constitutio
a capite.

V. Sit honor in consortio vestro,  
qui estis instrumentum ecclesie
et qui in vulneribus
vestri sanguinis undatis:

R. In illo,
in quo non erat constitutio
a capite.
V. You blooms of roses,
within your blood outpoured
you’re blessed in joys supreme—
the fragrance and distilled perfume
of that redemption
that flowed from th’ inmost heart
of counsel kept before all time

R. in him
who was unfounded
at the start.

V. An honor in your fellowship!
The Church’s instrument you are
as in your wounds, your waves
of blood, you surge and gush:

R. in him
who was unfounded
at the start.

Wednesday, March 05, 2014

Cum erubuerint infelices (Symphonia 14)

For Ash Wednesday, an Antiphon for the Virgin by St. Hildegard of Bingen[1]

Scivias I.2: The Fall.
Rupertsberg MS, fol. 4r.
Cum erubuerint infelices
in progenie sua,
procedentes in peregrinatione       
     casus,
tunc tu clamas clara voce,
hoc modo homines elevans
de isto malicioso
casu.
While downcast parents blushed,
ashamed to see their offspring
wand’ring off into the fallen exile’s
     pilgrimage,
you cry aloud with crystal voice,
to lift up humankind
from that malicious
fall.

Cum erubuerint by Sequentia on Grooveshark

Tuesday, February 11, 2014

O virga ac diadema (Symphonia 20)

For the Feast of Our Lady of Lourdes,
A Sequence for the Virgin by St. Hildegard of Bingen[1]


Virgin Mary, Queen of Heavens'
Symphony. Scivias III.13,
Rupertsberg MS, fol. 229r
1a. O virga ac diadema
purpure regis que es
in clausura tua
sicut lorica:

1b. Tu frondens floruisti
in alia vicissitudine
quam Adam omne genus       
humanum produceret.
1a. O branch and diadem,
in royal purple clad, who in
your cloister strong
stand like a shield:

1b. You burst forth blooming
but with buds
quite different than Adam’s progeny—
th’ entire human race.

Sunday, February 02, 2014

O clarissima mater (Symphonia 9)

For the Feast of the Purification of the Virgin Mary and the Presentation of the Lord in the Temple, a Responsory for the Virgin by St. Hildegard of Bingen[1]

Scivias II.6: Virgin Mother
Church offers the Eucharist.
Rupertsberg MS, fol. 86r
(detail).
V. O clarissima
mater sancte medicine,
tu ungenta
per sanctum Filium tuum
infudisti
in plangentia vulnera mortis,     
que Eva edificavit
in tormenta animarum.
Tu destruxisti mortem,
edificando vitam.

R. Ora pro nobis
ad tuum natum,
stella maris, Maria.
V. O radiant bright,
O mother of a holy medicine,
your ointments
through your holy Son
you’ve poured
upon the plangent wounds of death,
by Eve constructed
as torture chambers of the soul.
This death you have destroyed
by building life.

R. Pray for us
to your child,
O sea star Mary.

Monday, January 13, 2014

O magna res (Symphonia R 407ra)

For the Octave of the Epiphany, a Verse for the Incarnate Word
and His Virgin Mother by St. Hildegard of Bingen [1]


Hand of God. Frontispiece,
Uta Codex, ca. 1025.
Munich, Staatsbibliothek
MS Clm 13601, fol. 1v.
1a. O magna res
que in nullo constituto latuit,   
ita quod non est facta
nec creata ab ullo,
sed in se ipsa permanet.

lb. O vita
que surrexisti in aurora,
in qua magnus rex
     sapientiam
que in antiquo
apud virum sapientem fuit
misericorditer manifestavit,
quia mulier per foramen
     antiqui perditoris
mortem intravit.
1a. O greatness that
no creature formed could hide—
not made indeed,
created not by anyone,
within itself abides.

1b. O life
that rose upon the dawn,
the dayspring when
     the mighty King
in mercy made his Wisdom known—
of old she dwelt
together with the sage—
for once a woman entered death
through the ancient slayer’s
     darkened door.

Monday, January 06, 2014

O quam preciosa (Symphonia 22)

For the Feast of the Epiphany, a Responsory for the Virgin
by St. Hildegard of Bingen[1]


Nativity of the Lord.
Stammheim / Hildesheim
Missal (ca. 1160-70), fol. 92r.
J. Paul Getty Museum
V. O quam preciosa est
virginitas virginis huius
que clausam portam habet,     
et cuius viscera
sancta divinitas calore suo
infudit, ita quod flos
     in ea crevit.

R. Et Filius Dei
     per secreta ipsius
quasi aurora exivit.

V. Unde dulce germen,
quod Filius ipsius est,
per clausuram ventris eius
paradisum aperuit.

R. Et Filius Dei
     per secreta ipsius
quasi aurora exivit.
V. How precious is
this Virgin’s sweet virginity,
her gate kept closed,
her womb
divinity most holy with its warmth
has flooded so a flower sprung
     within it.

R. The Son of God's come forth
from her most secret chamber
     like the dawn.

V. And so the sweet and tender shoot—
her Son—
has through her womb’s enclosure
opened Paradise.

R. The Son of God's come forth
from her most secret chamber
     like the dawn.

Sunday, December 22, 2013

O splendidissima gemma (Symphonia 10)

For the Fourth Sunday in Advent, an Antiphon for the Virgin
by St. Hildegard of Bingen[1]


Scivias I.4:
Conception of
Soul and Body.
Rupertsberg MS,
fol. 22r (detail)
O splendidissima gemma
et serenum decus solis
qui tibi infusus est,
fons saliens
de corde Patris,
quod est unicum Verbum suum,
     per quod creavit
mundi primam materiam,
quam Eva turbavit.

Hoc Verbum effabricavit
tibi Pater hominem,
et ob hoc es tu illa
     lucida materia
per quam hoc ipsum Verbum
     exspiravit
omnes virtutes,
     ut eduxit
in prima materia omnes creaturas. 
O jewel resplendent
and bright and joyous beauty of the sun
that’s flooded into you—
the fountain leaping
from the Father’s heart.
This is his single Word
     by which he did create
the world’s primordial matter,
a motherhood into confusion cast by Eve.

This Word the Father made
for you into a man—
and this is why you are that bright
     and shining matter,
through which that Word
     has breathed
forth every virtue’s pow’r,
     as he brought forth
all creatures in a primal motherhood.

Sunday, December 15, 2013

Ave generosa (Symphonia 17)

For the Third Sunday in Advent, a Hymn for the Virgin
by St. Hildegard of Bingen[1]


Virgin Mary, Queen of Heavens'
Symphony, Scivias III.13
Rupertsberg MS, fol. 229r
1. Ave generosa,
gloriosa et intacta puella.
Tu pupilla castitatis,
tu materia sanctitatis,
que Deo placuit.

2. Nam hec superna infusio   
     in te fuit,
quod supernum Verbum
     in te carnem induit.
1. Hail, nobly born,
O Maiden, honored and inviolate.
You are the piercing gaze of chastity,
you the material of holiness—
the one who pleasèd God.

2. For heaven’s flood poured
     into you
as heaven’s Word was clothed
     in flesh in you.

Sunday, December 08, 2013

Hodie aperuit nobis (Symphonia 11)

(Nunc aperuit nobis)
For the Feast of the Immaculate Conception upon the Second Sunday
of Advent, an Antiphon for the Virgin by St. Hildegard of Bingen[1]


Humility, from
Scivias III.8: The Pillar
of the Savior's Humanity.
Rupertsberg MS, fol. 178r.
Hodie
aperuit nobis
clausa porta
quod serpens in muliere       
      suffocavit,
unde lucet in aurora
flos de Virgine Maria.
Today
was opened unto us
a shut-up gate.
For the serpent drew it tight,
      in woman choked—
yet from it gleams within the dawn
the Virgin Mary’s flow’r.

Sunday, December 01, 2013

Ave Maria, O auctrix vite (Symphonia 8)

For the First Sunday in Advent, a Responsory for the Virgin
by St. Hildegard of Bingen[1]


Misericordia Dei
(Mercy of God)

Scivias III.3
Rupertsberg MS,
fol. 139r
V. Ave Maria,
o auctrix vite,
reedificando salutem,
que mortem conturbasti
et serpentem contrivisti,
ad quem se Eva erexit
erecta cervice
cum sufflatu superbie.
Hunc conculcasti
dum de celo Filium Dei genuisti:    

R. Quem inspiravit
Spiritus Dei.
V. Hail Mary,
O authoress of life,
rebuilding up salvation’s health,
for death you have disturbed,
that serpent crushed
to whom Eve raised herself,
her neck outstretched
with puffed-up pride.
That serpent’s head you ground to dust
when heaven’s Son of God you bore:

R. on whom God’s Spirit
breathed.