About Me

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I am a medievalist, a social studies teacher at Knox Central High School, and an adjunct instructor in history at Union Commonwealth University. My research includes medieval theologies of history, text/image relationships in visionary and mystical texts, and the writings of the twelfth-century Doctor of the Church, St. Hildegard of Bingen. I am also a translator of medieval Latin and German texts, especially as relate to my research. My translation of Hildegard's Book of Divine Works is available from Catholic University of America Press here. I completed a Master's in Medieval Studies at the University of Notre Dame in 2010, a Fulbright Fellowship in Germany in 2008, and a B.A. in Classics and German at Boston College in 2007.
Showing posts with label Church Reform. Show all posts
Showing posts with label Church Reform. Show all posts

Wednesday, April 10, 2019

New Article: “The prophetess and the pope: St. Hildegard of Bingen, Pope Benedict XVI, and prophetic visions of church reform”

Nathaniel M. Campbell, “The prophetess and the pope: St. Hildegard of Bingen, Pope Benedict XVI, and prophetic visions of church reform,” postmedieval: a journal of medieval cultural studies 10.1 (2019), 22-35; read online for free here.

Just published in a special issue devoted to “Prophetic Futures,” this article explores the affinities between St. Hildegard of Bingen and Pope Benedict XVI that may have led him to canonize her and declare her a Doctor of the Church in 2012. It pays special attention to their views on the Church’s prophetic mission and prophecy’s role in reforming it.

Abstract

Wednesday, April 16, 2014

O virgo Ecclesia (Symphonia 66)

For Holy Week, an Antiphon for the Church by St. Hildegard of Bingen[1]

Scivias II.6: The Crucifixion.
Rupertsberg MS, fol. 86rr.
O virgo Ecclesia,
plangendum est,
quod sevissimus lupus filios tuos  
de latere tuo abstraxit.
O ve callido serpenti!
Sed o quam preciosus est
      sanguis Salvatoris,
qui in vexillo regis
Ecclesiam ipsi
     desponsavit,
unde filios
illius requirit.
O Virgin Mother Church,
lament and mourn!
A savage wolf has snatched
your children from your side.
O woe to serpent’s trickery!
But O, how precious is
      the Savior’s blood
that with the royal banner sealed
his bridegroom’s promise
     to the Church,
whose children
he is seeking.

Friday, May 11, 2012

The Pope and the Prophetess: Benedict XVI, Hildegard of Bingen, and the Reform of the Church (Part 2)

Liber Divinorum Operum III.5,
from the Lucca MS.

Update: A much expanded and revised version of this essay appeared in 2019 in the journal postmedieval, accessible online here.

Part 1 of this post can be found here.

There are two aspects of Joseph Ratzinger’s reformist vision of the Church that find particularly striking parallels in Hildegard of Bingen’s thought: the political relationship between Church and Empire (or secular world), and the renewal of the Church as a purified but dramatically reduced institution.  Although Hildegard’s own reformist thought must be situated within the legacy of the Gregorian reform of the eleventh century, what is most striking are the ways in which she departs—sometimes radically—from a Hildebrandian vision of the Church; and in those departures, Ratzinger follows her, as much as that might be to the chagrin of traditionalists today.

Thursday, May 10, 2012

The Pope and the Prophetess: Benedict XVI, Hildegard of Bingen, and the Reform of the Church (Part 1)

Portrait of Hildegard of Bingen.
From the Rupertsberg Scivias, fol. 1r.

Update: A much expanded and revised version of this essay appeared in 2019 in the journal postmedieval, accessible online here.

Today, Pope Benedict XVI formally authorized the liturgical commemoration of St. Hildegard of Bingen (1098-1179) and inscribed her name in the catalogue of the saints—effectively concluding the cause for her canonization started 800 years ago.  Later this year he will declare her a Doctor of the Church—an extraordinary honor for a woman whose name was practically unknown (at least in Anglo-American circles) until the latter part of the twentieth century.  Yet, her meteoric rise to superstardom in these last few decades—propelled, first by her music, and then by her talents in other areas of art, natural medicine, feminism, and mysticism—is really only a rebirth.  For most of the centuries between her death in 1179 and the latter twentieth century, Hildegard was known primarily as a visionary prophet of the end times.