This is a moving, if idiosyncratic, historiographical meditation on the rise of "modern" medieval studies (to be distinguished from those of the nineteenth century). After a concise sketch of the broad strokes of medieval history and the movements of modern interpretation, Cantor dives into compelling portraits of the twenty medievalists who, in his opinion, "invented" the Middle Ages for the modern world of the twentieth century. Combining a standard academic's review of their works with an esteemed historian's synthetic stitching to tell the history of historians, Cantor attempts to understand not only what each of these men (and one woman) told us about the Middle Ages but also why they approached them the way they did.
