An Explanation of the Athanasian Creed

Explanatio Symboli Sancti Athanasii by St. Hildegard of Bingen

This treatise can also be viewed and downloaded as a PDF here.

Introduction

Scivias II.2: The Trinity.
Rupertsberg MS, fol. 47r.

Hildegard composed this commentary on the Pseudo-Athanasian Creed as part of a series of shorter works written in the early 1170’s in response to a letter from her secretary and provost, Volmar, expressing on behalf of her community of nuns their anxiety that, as the Visionary Doctor entered her seventies, she would not be long for the earth. The letter draws a particularly striking contrast between the vanities of scholastic disputes and the truly divine teaching with which Hildegard had been inspired. Hildegard’s response to this letter is preserved in the manuscripts as the preface to her Explanatio Symboli Sancti Athanasii.^[1] She likely chose to write a commentary on this standard liturgical text because its treatment of “the catholic faith” offered her a structure on which to provide her community a summary of her most characteristic thoughts about the relationship between the triune divinity and its work of creation, with humankind at its center.

O ignis Spiritus Paracliti (Symphonia 28)

For Pentecost, a Sequence for the Holy Spirit by St. Hildegard of Bingen^[1]

Pentecost, from the
Ingeborg Psalter, ca. 1195
(Web Gallery of Art)

1a. O ignis Spiritus Paracliti,     vita vite omnis creature, sanctus es vivificando      formas. 1b. Sanctus es ungendo       periculose fractos, sanctus es       tergendo fetida vulnera.

1a. O fire of the Spirit and Defender, the life of every life created: Holy are you—giving life      to all the forms. 1b. Holy are you—anointing to heal       those danger has broken. Holy are you—cleansing       to clean the festering wounds.

Fundamentum Ecclesiae solum

“The Church’s One Foundation,” translated into Latin
in the style of St. Hildegard of Bingen

Scivias II.3:
The Church & Christ.
Rupertsberg MS, fol. 51r.

1. The Church’s one foundation Is Jesus Christ her Lord, She is His new creation By water and the Word. From heav’n He came and sought her   To be His holy bride; With His own blood He bought her And for her life He died.

1. Fundamentum Ecclesiae solum est Christus eius Dominus, quam novam creaturam facit per aquam atque Verbum, de caelo veniens et eam requirens quam sanctam sibi desponsavit et suo sanguine redemit, cui vitam morte dedit.

Alleluia! O virga mediatrix (Symphonia 18)

For the Octave of Easter, an Alleluia-verse for the Virgin
by St. Hildegard of Bingen^[1]

Initial F: Tree of Jesse
Stammheim / Hildesheim
Missal (ca. 1160-70), fol. 146r.
J. Paul Getty Museum

Alleluia! O virga mediatrix, sancta viscera tua mortem superaverunt et venter tuus omnes creaturas     illuminavit in pulcro flore de suavissima integritate clausi pudoris tui orto.

Alleluia! O branch and mediatrix, your sacred flesh has conquered death, your womb the world illumined, all creatures in the bloom of beauty sprung from that exquisite purity of your enclosèd modesty.

Nunc gaudeant materna (Symphonia 67)

For Easter, the Resurrection of the Lord, an Antiphon for the Church
by St. Hildegard of Bingen^[1]

Scivias II.3:
Mother Church & Baptism.
Rupertsberg MS, fol. 51r.

Nunc gaudeant materna viscera      Ecclesie, quia in superna simphonia      filii eius in sinum suum collocati sunt. Unde, o turpissime serpens,      confusus es, quoniam quos tua estimatio      in visceribus      suis habuit nunc fulgent in sanguine      Filii Dei, et ideo laus tibi sit, Rex altissime.        Alleluia.

Now let the womb and heart      of Mother Church rejoice! For in the starry symphony      her children are gathered to her bosom. O vile snake, you are      confounded, for those your hollow jealousy      had thought      it clutched within its guts now sparkle in the blood      of God’s own Son— praise be to you, the highest King!      Alleluia!

Service and Sacrifice: A Friend and the Memorial of His Love

Bronze sculpture at
Church Street UMC.

You are my friends if you do what I command you. No longer do I call you servants, for the servant does not know what his master is doing; but I have called you friends, for all that I have heard from my Father I have made known to you…
This I command you, to love one another.
     —John 15:14-17

We know that Jesus should be our role-model in service, but it’s often difficult to know just which Jesus we’re supposed to follow. The teacher, the healer, the broken, dying man—or the Christ and Son of God, Lord of Heaven and Earth? Some of these roles are easier to imitate than others, and we struggle to hold them all together. Jesus’ disciples, too, often struggled to understand just what it meant for their wise and compassionate teacher to be both Messiah and bound to die.

O virgo Ecclesia (Symphonia 66)

For Holy Week, an Antiphon for the Church by St. Hildegard of Bingen^[1]

Scivias II.6: The Crucifixion.
Rupertsberg MS, fol. 86rr.

O virgo Ecclesia, plangendum est, quod sevissimus lupus filios tuos   de latere tuo abstraxit. O ve callido serpenti! Sed o quam preciosus est       sanguis Salvatoris, qui in vexillo regis Ecclesiam ipsi      desponsavit, unde filios illius requirit.

O Virgin Mother Church, lament and mourn! A savage wolf has snatched your children from your side. O woe to serpent’s trickery! But O, how precious is       the Savior’s blood that with the royal banner sealed his bridegroom’s promise      to the Church, whose children he is seeking.

O spectabiles viri (Symphonia 31)

For the Feast of the Prophet Ezekiel, an Antiphon for Patriarchs and Prophets
by St. Hildegard of Bingen ^[1]

Scivias III.4: The Pillar
of the Word of God.
Rupertsberg MS, fol. 145v.

O spectabiles viri qui pertransistis occulta, aspicientes per oculos spiritus et annuntiantes in lucida umbra acutam et viventem lucem in virga germinantem, que sola floruit de introitu radicantis luminis: Vos antiqui sancti, predixistis salvationem exulum animarum que inmerse fuerant morti, qui circuisti ut rote, mirabiliter loquentes      mistica montis qui celum tangit, pertransiens ungendo      multas aquas, cum etiam inter vos surrexit lucida lucerna, que ipsum montem precurrens          ostendit.

O men of sight—what a sight! Through mysteries you’ve passed with gaze of spirit’s eyes, to announce in shining shadow a living, piercing light that buds upon that single branch that flourished at the entrance of deep-rooted light: You saints of old! You have foretold salvation of souls in exile plunged, in death immersed. You circled, spun like wheels as wondrously proclaimed      the mountain’s mysteries whose top the heavens touched and passed through many waters      with anointing— yet still among you arose a shining lamp that raced ahead, that mountain      to reveal.

O successores (Symphonia 40)

For the Feast of St. Isidore of Seville, an Antiphon for Confessors
by St. Hildegard of Bingen ^[1]

Initial D: Lion of Judah
Stammheim / Hildesheim
Missal (ca. 1160-70), fol. 111v.
J. Paul Getty Museum

O successores fortissimi leonis, inter templum et altare dominantes in ministratione eius   sicut angeli sonant in laudibus et sicut assunt populis      in adiutorio, vos estis inter illos qui hec faciunt, semper curam habentes      in officio Agni.

Successors of the mighty Lion, between the temple and the altar commanding in his service: as angels sing in praise resounding and quicken to defend the people      with their aid— so you among them as they do these things, keep ever carefully the office      of the Lamb.

O tu illustrata (Symphonia 23)

For the Feast of the Annunciation, an Antiphon for the Virgin
by St. Hildegard of Bingen^[1]

Chastity, from
Scivias III.8: The Pillar
of the Savior's Humanity.
Rupertsberg MS, fol. 178r.

O tu illustrata de divina claritate, clara Virgo Maria, Verbo Dei infusa, unde venter tuus floruit de introitu Spiritus Dei, qui in te sufflavit et in te exsuxit quod Eva abstulit in abscisione puritatis, per contractam contagionem        de suggestione diaboli.

Illumined by God’s clearest brightness, O Virgin Mary bright, and flooded with the Word of God: your womb then flourished at the entrance of God’s Spirit— he breathed within you, within drew out the loss of Eve, a purity cut off and silenced by that disease contracted at the Devil’s sly persuasion.

O vos imitatores (Symphonia 39)

For the Feast of Pope St. Gregory the Great, a Responsory for Confessors
by St. Hildegard of Bingen ^[1]

Scivias II.6: Eucharist.
Rupertsberg MS, fol. 86v.

V. O vos imitatores      excelse persone in preciosissima et gloriosissima significatione,      o quam magnus est      vester ornatus, ubi homo procedit, solvens et stringens in Deo pigros et peregrinos, R. etiam ornans      candidos et nigros et magna onera remittens.

V. O actors, you who play      the Highest Role within that precious drama, that glorious sacrament! How great and beautiful      your vested costume, as steps forth such a man to loose and bind in God the slacker and sojourner, R. the shining and the squalid      both to beautify and all their heavy burdens to remit.

Vos flores rosarum (Symphonia 38)

For the Feast of Sts. Perpetua and Felicity, a Responsory for Martyrs
by St. Hildegard of Bingen^[1]

Agony in the Garden.
Drawing from the Abbey of
St. Walburg, Eichstätt, ca. 1500.
(From J. Hamburger,
Nuns as Artists, plate 8)

V. Vos flores rosarum, qui in effusione sanguinis vestri   beati estis in maximis gaudiis, redolentibus et sudantibus in emptione que fluxit de interiori mente consilii manentis ante evum R. in illo, in quo non erat constitutio a capite. V. Sit honor in consortio vestro,   qui estis instrumentum ecclesie et qui in vulneribus vestri sanguinis undatis: R. In illo, in quo non erat constitutio a capite.

V. You blooms of roses, within your blood outpoured you’re blessed in joys supreme— the fragrance and distilled perfume of that redemption that flowed from th’ inmost heart of counsel kept before all time R. in him who was unfounded at the start. V. An honor in your fellowship! The Church’s instrument you are as in your wounds, your waves of blood, you surge and gush: R. in him who was unfounded at the start.

Cum erubuerint infelices (Symphonia 14)

For Ash Wednesday, an Antiphon for the Virgin by St. Hildegard of Bingen^[1]

Scivias I.2: The Fall.
Rupertsberg MS, fol. 4r.

Cum erubuerint infelices in progenie sua, procedentes in peregrinatione             casus, tunc tu clamas clara voce, hoc modo homines elevans de isto malicioso casu.

While downcast parents blushed, ashamed to see their offspring wand’ring off into the fallen exile’s      pilgrimage, you cry aloud with crystal voice, to lift up humankind from that malicious fall.

O victoriosissimi triumphatores (Symphonia 37)

For the Feast of St. Polycarp of Smyrna, Bishop and Martyr,
An Antiphon for Martyrs by St. Hildegard of Bingen ^[1]

Scivias III.13: Symphonia in
Heaven: Choir of Martyrs.
Rupertsberg MS, fol. 229r
(detail)

O victoriosissimi triumphatores, qui in effusione sanguinis vestri salutantes edificationem ecclesie, intrastis sanguinem Agni, epulantes cum vitulo occiso: O quam magnam mercedem habetis,   quia corpora vestra viventes despexistis, imitantes Agnum Dei, ornantes penam eius, in qua vos introduxit in restaurationem hereditatis.

O victors in your triumph! Your blood poured out, you hail the building of the Church— for you have entered in the Lamb’s own blood, and now enjoy the feast with the slaughtered calf. How great is your reward! Your living bodies you’ve despised in imitation of God’s Lamb— his pain you take as glory, for in it he has brought you to your inheritance restored!

O virga ac diadema (Symphonia 20)

For the Feast of Our Lady of Lourdes,
A Sequence for the Virgin by St. Hildegard of Bingen^[1]

Virgin Mary, Queen of Heavens'
Symphony. Scivias III.13,
Rupertsberg MS, fol. 229r

1a. O virga ac diadema purpure regis que es in clausura tua sicut lorica: 1b. Tu frondens floruisti in alia vicissitudine quam Adam omne genus        humanum produceret.

1a. O branch and diadem, in royal purple clad, who in your cloister strong stand like a shield: 1b. You burst forth blooming but with buds quite different than Adam’s progeny— th’ entire human race.

O clarissima mater (Symphonia 9)

For the Feast of the Purification of the Virgin Mary and the Presentation of the Lord in the Temple, a Responsory for the Virgin by St. Hildegard of Bingen^[1]

Scivias II.6: Virgin Mother
Church offers the Eucharist.
Rupertsberg MS, fol. 86r
(detail).

V. O clarissima mater sancte medicine, tu ungenta per sanctum Filium tuum infudisti in plangentia vulnera mortis,      que Eva edificavit in tormenta animarum. Tu destruxisti mortem, edificando vitam. R. Ora pro nobis ad tuum natum, stella maris, Maria.

V. O radiant bright, O mother of a holy medicine, your ointments through your holy Son you’ve poured upon the plangent wounds of death, by Eve constructed as torture chambers of the soul. This death you have destroyed by building life. R. Pray for us to your child, O sea star Mary.

O nobilissima viriditas (Symphonia 56)

For the Feast of St. Agnes, Virgin and Martyr,
A Responsory for Virgins by St. Hildegard of Bingen ^[1]

Scivias II.5: Virginitas
& the Orders of the Church.
Rupertsberg MS, fol. 66r
(detail)

V. O nobilissima viriditas, que radicas in sole et que in candida serenitate luces in rota quam nulla terrene excellentia     comprehendit: R. Tu circumdata es amplexibus divinorum ministeriorum. V. Tu rubes ut aurora et ardes ut solis flamma. R. Tu circumdata es amplexibus divinorum ministeriorum.

V. O noblest, freshest green, viridity you are, deep rooted in the sun and shining bright in clearest calm within a wheel no earthly excellence can comprehend: R. You are contained within the embraces of the service, the ministries divine. V. As morning’s dawn you blush, as sunny flame you burn. R. You are contained within the embraces of the service, the ministries divine.

O magna res (Symphonia R 407ra)

For the Octave of the Epiphany, a Verse for the Incarnate Word
and His Virgin Mother by St. Hildegard of Bingen ^[1]

Hand of God. Frontispiece,
Uta Codex, ca. 1025.
Munich, Staatsbibliothek
MS Clm 13601, fol. 1v.

1a. O magna res que in nullo constituto latuit,    ita quod non est facta nec creata ab ullo, sed in se ipsa permanet. lb. O vita que surrexisti in aurora, in qua magnus rex      sapientiam que in antiquo apud virum sapientem fuit misericorditer manifestavit, quia mulier per foramen      antiqui perditoris mortem intravit.

1a. O greatness that no creature formed could hide— not made indeed, created not by anyone, within itself abides. 1b. O life that rose upon the dawn, the dayspring when      the mighty King in mercy made his Wisdom known— of old she dwelt together with the sage— for once a woman entered death through the ancient slayer’s      darkened door.

O quam preciosa (Symphonia 22)

For the Feast of the Epiphany, a Responsory for the Virgin
by St. Hildegard of Bingen^[1]

Nativity of the Lord.
Stammheim / Hildesheim
Missal (ca. 1160-70), fol. 92r.
J. Paul Getty Museum

V. O quam preciosa est virginitas virginis huius que clausam portam habet,      et cuius viscera sancta divinitas calore suo infudit, ita quod flos      in ea crevit. R. Et Filius Dei      per secreta ipsius quasi aurora exivit. V. Unde dulce germen, quod Filius ipsius est, per clausuram ventris eius paradisum aperuit. R. Et Filius Dei      per secreta ipsius quasi aurora exivit.

V. How precious is this Virgin’s sweet virginity, her gate kept closed, her womb divinity most holy with its warmth has flooded so a flower sprung      within it. R. The Son of God's come forth from her most secret chamber      like the dawn. V. And so the sweet and tender shoot— her Son— has through her womb’s enclosure opened Paradise. R. The Son of God's come forth from her most secret chamber      like the dawn.

O speculum columbe (Symphonia 35)

An Antiphon for the Feast of St. John the Apostle and Evangelist
by St. Hildegard of Bingen^[1]

St. John, the beloved disciple,
resting with Jesus.
Andachtsbild, carved and
painted wood, ca. 1320.
From the Dominican convent
in Sankt-Katharinenthal
(Switzerland).
Museum Mayer van den Bergh,
Antwerp / Web Gallery of Art.

O speculum columbe castissime forme, qui inspexisti misticam      largitatem in purissimo fonte: O mira floriditas que numquam arescens cecidisti,   quia altissimus plantator      misit te: O suavissima quies amplexuum solis: tu es specialis filius Agni in electa amicicia nove sobolis.

O mirror of the dove— the perfect form of chastity— you gazed upon the mystic      bounty within the clearest font: O wondrous, flourished bloom that never withered, never fell— the Gardener on high      has sent you forth: O sweet repose of sunshine’s warm embrace: the Lamb’s especial son you are within that privileged friendship of a new posterity.

O factura Dei (Symphonia R 405rb)

For Christmas, the Nativity of the Lord, a Verse on the Incarnation
by St. Hildegard of Bingen^[1]

God enthroned upon
the mountain, with
Fear of the Lord (L)
& Poor in Spirit (R),
Scivias I.1.
Rupertsberg MS,
fol. 2r.

O factura Dei que es homo, in magna sanctitate edificata es, quia sancta divinitas in humilitate celos penetravit. O quam magna pietas est quod in limo terre deitas claruit,     et quod angeli Deo ministrantes Deum in humanitate vident.

O what a work of God you are, O human, forged and established in great holiness— for now divinity most holy has the heavens pierced in your humility. How great indeed that loving kindness is, as in the earthy clay the Godhead beamed, the angels in their ministry to God see now that God within humanity.

O splendidissima gemma (Symphonia 10)

For the Fourth Sunday in Advent, an Antiphon for the Virgin
by St. Hildegard of Bingen^[1]

Scivias I.4:
Conception of
Soul and Body.
Rupertsberg MS,
fol. 22r (detail)

O splendidissima gemma et serenum decus solis qui tibi infusus est, fons saliens de corde Patris, quod est unicum Verbum suum,      per quod creavit mundi primam materiam, quam Eva turbavit. Hoc Verbum effabricavit tibi Pater hominem, et ob hoc es tu illa      lucida materia per quam hoc ipsum Verbum      exspiravit omnes virtutes,      ut eduxit in prima materia omnes creaturas.

O jewel resplendent and bright and joyous beauty of the sun that’s flooded into you— the fountain leaping from the Father’s heart. This is his single Word      by which he did create the world’s primordial matter, a motherhood into confusion cast by Eve. This Word the Father made for you into a man— and this is why you are that bright      and shining matter, through which that Word      has breathed forth every virtue’s pow’r,      as he brought forth all creatures in a primal motherhood.

O Verbum Patris (Symphonia R 404va)

A Verse for Word and Wisdom by St. Hildegard of Bingen^[1]

Scivias II.1: Creation
Rupertsberg MS,
fol. 41v (detail)

O Verbum Patris, tu lumen prime aurore in circulo rote es, omnia in divina vi operans. O tu prescientia Dei, omnia opera tua previdisti, sicut voluisti, ita quod in medio potencie tue latuit    quod omnia prescivisti, et operatus es quasi in similitudine rote cuncta circueuntis, que inicium non accepit nec in fine prostrata est.

O Word of the Father, you are the first dawn’s light within the circuit of the wheel, performing all in energy divine. O God’s foreknowledge, you have foreseen your every deed according to your will— all that you have foreknown lay held within your power’s heart. Your working is as like a wheel that all encompasses— beginning kept it not nor ever was it wound down to an end.

Ave generosa (Symphonia 17)

For the Third Sunday in Advent, a Hymn for the Virgin
by St. Hildegard of Bingen^[1]

Virgin Mary, Queen of Heavens'
Symphony, Scivias III.13
Rupertsberg MS, fol. 229r

1. Ave generosa, gloriosa et intacta puella. Tu pupilla castitatis, tu materia sanctitatis, que Deo placuit. 2. Nam hec superna infusio         in te fuit, quod supernum Verbum      in te carnem induit.

1. Hail, nobly born, O Maiden, honored and inviolate. You are the piercing gaze of chastity, you the material of holiness— the one who pleasèd God. 2. For heaven’s flood poured      into you as heaven’s Word was clothed      in flesh in you.

Article Published: "Visio-Theological Designs in Hildegard of Bingen's Rupertsberg Scivias Manuscript"

I am pleased to announce that the full article upon which the paper I presented at the Kalamazoo conference earlier this year was based has now been published in the art history journal Eikón / Imago 4 (2013, Vol. 2, No. 2), pp. 1-68.

"Imago expandit splendorem suum: Hildegard of Bingen’s Visio-Theological Designs in the Rupertsberg Scivias Manuscript" can be viewed on the journal's website here or on my Academia.edu profile here.

O Euchari, in leta via (Symphonia 53)

For the Feast of St. Eucharius, First Bishop of Trier (transferred fr. Dec. 8)
A Sequence by St. Hildegard of Bingen ^[1]

Choir of Bishops
and Confessors, from
Scivias III.13: Symphonia
Rupertsberg MS, fol. 229r

1a. O Euchari, in leta via ambulasti ubi cum Filio Dei mansisti, illum tangendo et miracula eius que fecit      videndo. 1b. Tu eum perfecte amasti cum sodales tui exterriti erant,      pro eo quod homines erant, nec possibilitatem habebant bona perfecte intueri.

1a. O St. Eucharius, you walked upon the blessed way when with the Son of God you stayed— you touched the man and saw with your own eyes      his miracles. 1b. You loved him perfectly while your companions trembled, frightened by their mere humanity, unable as they were to gaze entirely upon the good.

Hodie aperuit nobis (Symphonia 11)

(Nunc aperuit nobis)
For the Feast of the Immaculate Conception upon the Second Sunday
of Advent, an Antiphon for the Virgin by St. Hildegard of Bingen^[1]

Humility, from
Scivias III.8: The Pillar
of the Savior's Humanity.
Rupertsberg MS, fol. 178r.

Hodie aperuit nobis clausa porta quod serpens in muliere              suffocavit, unde lucet in aurora flos de Virgine Maria.

Today was opened unto us a shut-up gate. For the serpent drew it tight,       in woman choked— yet from it gleams within the dawn the Virgin Mary’s flow’r.

Ave Maria, O auctrix vite (Symphonia 8)

For the First Sunday in Advent, a Responsory for the Virgin
by St. Hildegard of Bingen^[1]

Misericordia Dei
(Mercy of God)
Scivias III.3
Rupertsberg MS,
fol. 139r

V. Ave Maria, o auctrix vite, reedificando salutem, que mortem conturbasti et serpentem contrivisti, ad quem se Eva erexit erecta cervice cum sufflatu superbie. Hunc conculcasti dum de celo Filium Dei genuisti:     R. Quem inspiravit Spiritus Dei.

V. Hail Mary, O authoress of life, rebuilding up salvation’s health, for death you have disturbed, that serpent crushed to whom Eve raised herself, her neck outstretched with puffed-up pride. That serpent’s head you ground to dust when heaven’s Son of God you bore: R. on whom God’s Spirit breathed.

O Sancta Hildegardis: A Chronogram for the Feast of St. Hildegard of Bingen

Portrait of St. Hildegard.
Rupertsberg Scivias, fol. 1r
(Protestificatio)

o sanCta hILDegarDIs,
LVX opVsqVe VIVentes
LVCeant nobIs
per VIsIones tVas
In VIa DoCentes.

(O sancta Hildegardis, lux opusque viventes luceant nobis per visiones tuas in via docentes.)

(O Saint Hildegard, may the Living Light and the Living Work shine upon us through your visions as they teach upon the way.)

St. Hildegard of Bingen: Prologue to Liber Divinorum Operum

Portrait of Hildegard of Bingen
recording her visions in the
Liber Divinorum Operum (I.1).
Lucca MS 1942, fol. 1. (From Wikipedia)

St. Hildegard of Bingen prefaced each of her three visionary-theological works—the Scivias, the Liber Vitae Meritorum (“Book of the Rewards of Life” / “Book of Life’s Merits”), and the Liber Divinorum Operum (“Book of Divine Works”)—with a brief description of the chronological and visionary genesis of the work. Although a little longer than the opening of the Liber Vitae Meritorum—whose structure it nevertheless parallels—the Prologue to the Liber Divinorum Operum is only half the length of the Protestifactio that opens Scivias. Because that first declaration came at the beginning of Hildegard’s writing career, at a time when she was still quite unsure of herself, it went to great lengths to establish both Hildegard’s frail humility in the service of God and the legitimate, divine authority for her prophetic messages, as well as the dynamic of the visionary experience relating the two. The openings of the latter two works also take up those three themes that are central to Hildegard's visionary, prophetic, and theological vocation, but with greater concision.